Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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Charles Edward Chambers
The Price of Love

ID: 33086

Charles Edward Chambers The Price of Love
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Charles Edward Chambers The Price of Love


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Charles Edward Chambers

American , 1883-1941 magazine illustrator   Related Paintings of Charles Edward Chambers :. | a model who would have considered unduly fat a few decades earlier was now permitted to be the subject of artistic study | Kreuzigung Christi | Female Model in an oriental Costume | Portrait of Blaise-Francois-Aldegonde de Jouvencel Maire de Versailles | Last Judgement |
Related Artists:
Eugene - Emmanuel Amaury - Duval
Montrouge 1808 - Paris 1885.
Ambrosius Benson
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
ROSSELLINO, Bernardo
Italian sculptor Florentine school (b. 1409, Settignano, d. 1464, Firenze).Italian architect and sculptor. Influenced by Donatello, Filippo Brunelleschi, and Luca Della Robbia, he developed a moderately Classical style. His tomb for Leonardo Bruni (1444 C 50) in Santa Croce, Florence, was one of the greatest achievements of early Renaissance sculpture and inaugurated a new type of sepulchral monument. Its fine balance between sculpture and architecture, figure and decoration, made it the prototypical niche tomb of its time. He also designed the apse of St. Peter's Basilica and the cathedral and Piccolomini Palace in Pienza (1460 ?C 64). He presumably trained his brother Antonio (1427 ?C 79), who regularly assisted him.






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